All at St John’s Smith Square will no doubt query my attendance record at the Westminster concert venue. And they would be right to do so. I have been a little flakey. But what this year has thrown into focus are the things, places and people that, which and who collectively keep the flame alive.
Whilst our idiotic government fiddles with legalities and consistently fails to deliver on their promises around COVID testing up the road (Matt Hancock, for crying out loud get on with it – if I do much as tweet something with a typo I get hauled over the coals, so why are you still in post exactly?), St John’s Smith Square are quietly and resolutely getting on with things and doing the best they can given the virus-infused circumstances.
Socially-distanced audiences have a month of concerts to look forward to in the glorious acoustic of St John’s Smith Square in October.
As I scroll through the list my eye is drawn to members of the RPO with Roderick Williams at 1pm on 2nd October, ‘Beethoven’s Late Quartets’ on Sat 3rd and Sunday 4th, Purcell on 6th, Gesualdo Six on Friday 9th, and Young Musicians Symphony Orchestra on Wednesday 14th. And to be able to hear something from my youth – Faure’s Messe Basse and Cantique de Jean Rancine, almost makes October both a joyous proposition and too much to contemplate all at the same time.
It’s a sign of the times. As events are staged, so we as audience members weigh up need, distance, against the pull of an acoustic. St John’s Smith Square wins right now. There’s no guarantee I can be there – tickets will go like hot cakes (rightly so) – so at least it will be online.
There will also be fifty events made available online at SJSS’ YouTube channel as part of the St John’s Digital Exchange programme, some hybrid versions of concerts featured in the live concerts, some created specifically for our digital audience.
Bring your own wine (to consume outside) if you’re attending in person.
Buy tickets online (only) at St John’s Smith Square.