A great man with a phenomenal craft for compression and the ability to summon a moment in a moment for…

independent writing about classical music, books, and tv
Concerts, albums, and video reviews. Familiar, unfamiliar, plus stuff fresh out of the packaging.
A great man with a phenomenal craft for compression and the ability to summon a moment in a moment for…
Cameron Biles-Liddell’s new harp concerto Nature’s Dance: an entertaining and polished affair….
Spoiler: Amanda Forsythe is amazing. Why is she not performing more in more places outside of the US? One of the…
How provision for some young Suffolk musicians has developed, and the role Britten Pears Arts’ new O’Hare Music Centre is…
The ever-reliable King’s Place have 2027 all mapped out with an enticingly eclectic mix of programmes that soothes the troubled…
A courageous and perfectly timed season opener from the LPO, meeting the need of the moment with precision craft….
Anna Handler’s debut suggests the Ulster Orchestra has a story worth telling. The challenge is getting it heard….
Santtu-Matias Rouvali and Philharmonia open the new season with cellist Sol Gabetta….
Tenebrae began with no plan, no name and a dinner Nigel Short tried to get out of. Twenty-five years on,…
Interviews with composers, musicians and producers about the music they love.