A new kind of Benjamin Grosvenor

   

A different kind of Grosvenor at Wigmore Hall on Sunday night.

Epic theatre. Cathedral-like Bach as though Stokowski had written the piano arrangement. A similarly fearless and robust performance of Schumann’s Fantasie in C had me looking up at the ceiling utterly gripped by every twist and turn, the conclusion preparing us for the interval with a delicious musical cliffhanger.

After, an eye-poppingly tender, playful, sometimes even flirty, Ravel.

To conclude, a similarly enthralling Prokofiev Piano Sonata No. 7. The dystopian final movement is a nail-biting cheer-inducing conclusion.

That an artist is able to pull together a programme that works and execute is not something we should take for granted. I loved Old Grosvenor. I’m loving The New Grosvenor even more.

Expect repeat epicness when Benjamin Grosvenor appears at the BBC Proms on Sunday 16 July at 11am in a programme featuring Liszt, Debussy and Ravel.

Grosvenor also performs Rachmaninov’s second piano concerto with John Wilson and the Sinfonia of London at the BBC Proms on Sunday 6 August.