Backstage with the London Philharmonic Orchestra on Sky Arts achieves a rare feat: it captivates both seasoned fans and newcomers alike, offering a dynamic celebration of a world-renowned orchestra at the same time as tempting viewers with the behind the scenes preparations for the performance of an epic symphony. The engaging series ticks numerous boxes, and a complete performance of Mahler 2 as well.
Over the course of four episodes, each section of the orchestra basks in the spotlight, with key players such as Mark Templeton, Paul Beniston (trumpet), Ronald Long (violin), Hugh Kluger (Double Bass), Jonathan Davies (bassoon), Juliette Bausor (principal flute), and Andy Barclay (percussion) share their personal stories. Against a backdrop of (mostly) everyday backgrounds, the players unmistakable passion for their craft humanises a workforce often overlooked or taken for granted. Conductor Ed Gardner enriches the narrative with anecdotes about Mah,er, sharing illuminating insights into the work, all delievered with a charismatic, elder-brother-like approach.
The LPO emerges as a friendly, relatable, hard-working ensemble, embodying unwavering dedication to its craft. Particularly compelling is the journey of tuba player Lee Tsarmaklis, whose immigration to the UK early in life led to a transformative encounter with a savvy music teacher who set the young Lee on a path (via a stint on a building site) that culminated in 26 year career with the LPO. Heart-warming stuff.
Another standout moment was the spotlight on principal horn player Annemarie Ferderle, whose Royal Academy of Music pedigree and remarkable talent shone through. Following a last minute solo-appearance with the band the 21 year old secured a full time role. She’s currently preparing for her final year exams at the Royal Academy.
Throughout the series, each contributor’s passion for classical music shines through, a testament to the producers obvious love for classical music, a stark contrast to the usual tendency of TV producers to apologise for it.
