
Core Radio 3 is down on its previous quarter, though its ‘brand extension’ sees a modest increase.

A scrapbook in sound: voices, reflections and field recordings from Three Choirs Festival 2026 in Gloucester — a postcard from two life-enhancing days.

Guy Johnston on Britten, the Proms, and neuroscience

Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.

Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.

Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.

Even if the BBC needs to save £500m, it won’t announce culling Radio 3 or the Proms, especially before the centenary of the Corporation’s ownership of it before next year. Will they?

Cellist Adrian Brendel on his new festival, the Birtwistle story behind its name, and a conversation about Alfred Brendel that wasn’t supposed to happen.

Bergen International Festival Artistic Director and Chief Executive Lars Petter Hagen talks programming, audiences, leadership and listening.

Radio 3’s apparent slump isn’t a crisis; it’s a reminder that measurement no longer tells the full story. The audience hasn’t disappeared — it’s moved into spaces that RAJAR can’t see and the BBC now controls. What looks like decline is really transition: from live radio to on-demand, from shared experience to personal choice.