
The Ivors Classical Awards are never really about trophies. They’re about how an industry sees itself: noble, embattled, faintly addicted to the romance of struggle. Last night at the BFI, that story was told again — with a few new plot twists.

The NYO has appointed Alpesh Chauhan as its Principal Conductor and Music Advisor. The fixed role for a conductor is a first for the ensemble.

Nine years after the project was first announced, the Dunard Centre completes its transition from aspiration to construction

Sir Keir Starmer’s Private Passions appearance is part love-letter to music, part soft-focus politics. He’s evidently warm in his advocacy of music education, but the committment is light on detail, for all the obvious reasons.

Radio 3’s apparent slump isn’t a crisis; it’s a reminder that measurement no longer tells the full story. The audience hasn’t disappeared — it’s moved into spaces that RAJAR can’t see and the BBC now controls. What looks like decline is really transition: from live radio to on-demand, from shared experience to personal choice.

Composer Anne Dudley will be awarded the Ivors Academy Fellowship at the Ivors Classical Awards on 11 November 2025, with the ceremony broadcast on BBC Radio 3 on 15 November. Her induction celebrates a career that spans pop innovation, film and television scoring, and orchestral composition — a legacy that bridges ABC’s The Lexicon of…

New management for London Mozart Players with the appointment of a new Chief Executive.

A reflection on composer Adrian Sutton, drawn from a single conversation in Blackheath last year — a brief encounter that left a lasting impression.

The 2025 Ivors Classical Awards shortlist celebrates UK composers including Anibal Vidal, Ruby Colley, Judith Weir, and James MacMillan. Winners announced 11 November.

Radio 3 Unwind arrives on DAB today — mood music with a BBC badge. Once derided, now unavoidable. A bold pitch for new listeners or a Reithian nightmare? Either way, it’s a sign the classical broadcast landscape is shifting faster than some critics would like to admit.