Things that linger at Twixtmas.
Meet my new pal: Beethoven’s violin concerto. I was originally a little unsure of it when I first came across it. It wasn’t Tchaikovsky. Or Mendelssohn. Or Brahms. It seemed heavier, laden with I don’t know what. Much deference seemed to be paid to it. And it was long. Very long. Something has changed in…
Listen to RPS Chief Exec James Murphy on the Thoroughly Good Classical Music Podcast discussing this years awards shortlist.
It has been quite a day. There was occasion (much-missed these past few months); an unexpected shared sense of purpose; a sense of personal responsibility; and possibly even a feeling of vindication too. I suspect I’m a bit of a shit journalist. That’s what I thought when I headed back from the freelance musicians demonstration…
There is a sophisticated aspiration in the way ‘Recreation’ looks that is matched by what is heard.
This week’s update from (near) the English Riviera – Falmouth Without live events there seems to be little impetus to write. Since the £1.57 billion pledge to the UK arts scene, it feels a little as though the fire has gone from the fight. Nicola Benedetti stoked the grate a considerable amount a week last…
They are broadcast moments – so far – that remind me of the only thing which appears to make sense to me right now: someone’s musical intent articulated by a team of musicians who themselves create a spectacle that moves not only me but a whole crowd of other people I don’t know.
This weekend feels like one of those important transition times. This partly down to the government eagerness getting us back to the good-old-British-pub, the busy-ness of the nearby South Circular, and the comfort our neighbours display welcoming a considerable number of pals into their garden this afternoon, people who are quite happy hugging and stroking…
An unexpected delivery today through the letterbox. A spongy brown envelope in which was a tote bag and a face mask. Inventive marketing I thought. Arresting communications, as I retrieved the Borlotti Buitoni Trust branded mask and bag. I’ll admit that I still don’t like wearing a mask. It’s dehumanising. I hate not seeing other…
ENO’s production of Verdi’s Luisa Miller challenged musical and storytelling assumptions