Poking through the gaps in the steamed up bathroom windows, the new year presents itself. I’m struggling to make out what 2020 is offering.
Revellers wide smiles, and the midnight fireworks shrouded in smoke I saw on TV at midnight – contrived, meaningless, and wasteful – are a world away from what I see now.
This New Year morning is like no other. I am unable to locate the familiar sense of fresh start. Things are the same as they were 24 hours before as far as I can make out. No excitement, just a mild sense of dread.
Where does music fit in all of this? Can it lead me in a new direction? Should it compensate? Do I need it to articulate how I’m feeling, or challenge me to think or feel differently?
Or does the Vienna Phil from the Musikverein this morning point to how I might better seek music out in the short term?
My views on the New Years Day Concert have changed in recent year. The concert from the Musikverein is music as entertainment, it’s presentation distracting us with a musical reenactment of a nostalgic age none of us have experienced. All gilt edge and lavish blooms, surrounding an orchestra steadfastly refusing to install a diverse and inclusive workforce; a usually vocal passionate audience equally uninterested in clamouring for change.
Diversity, inclusion and equal opportunities are all well and good it seems, just as long as some of the traditions are kept firmly in place.
Was it ever thus?
Why should such an inconsistency be allowed to continue? Why is such an event made available to so very many without even the discussion being had? Or is it that social politics and classical music doesn’t mix?
Unlike some other commentators who seek to position themselves alongside the ‘best’ concerts of 2019 (whatever that means), or right at the heart of the stories they think everyone should be thinking about in the coming year I, predictably, prefer to think of the year ahead from a personal perspective?
What role will music play in healing divisions? What recordings and live performances will engender a sense of hope? How will music guide us from the darkness we’ve experienced over the past few years? Where will it take us? What will that music be? Where will it be heard? How will the experience be transmitted?
Some of it will almost certainly be written by Beethoven (which I might add is a good thing because for some this year will be the year they ‘discover’ Beethoven. But what of the rest of the music of this year? What will help contribute to a collective experience?
Something to keep an eye on. Me, not you. You can decide on your own editorial strategy for the year ahead. This one’s mine.