‘Where Icebergs Dance Away’ (given its UK premiere by the BBC Scottish Symphony Orchestra at the BBC Proms 2021), is an evocative meditation on climate change, inspired by a trip to Iceland’s Disko Bay where according to the composer, the icebergs appeared to ‘dance’.
Although the pre-performance introduction made clear that the piece wasn’t a literal depiction, Charlotte Bray’s trademark musical language created a haunting atmosphere with an uneasy stillness. Repeated deep bass notes ushered in spread chords across the orchestra which seemed to momentarily suspend time. In the opening section, towering shapes were sketched out, with high decorative woodwind phrases giving just enough detail for jagged edges.
An up-tempo middle section consisting of agitated phrases tossed around the orchestra provided an unexpected drive. There was a hint of a rhythmic pattern that might be developed towards the end of the middle section, but the opening material returns just before that sense of development can bed in. When the original idea returned it seemed to take on a slightly different feel – what was first unsettling is now reassuring, elegant, and beautiful. The image dissappears into the mist as the music fades away.
Its highly efficient writing and scoring means this surprisingly short piece that leaves me wanting more. A good thing then that Charlotte is working this into a larger piece for future performance.
That’s something to look forward to because Charlotte Bray’s musical language works really well with large-scale forces. The combination of pitch extremes (for example here in the basses and the violins) creates vistas in which epic drama waits to be played out. At the Speed of Stillness from 2011/12 is a highly recommended listen. Frenetic, urgent rhythmic patterns contrasted with brief moments of quiet. Also on the same album, Fire Burning in Snow (Moonshot) with Lucy Schaufer shows how really quite sparse writing for a handful of instruments can yield similar vivid imagery.
For a multi-dimensional demonstration of that same musical language Germinate for solo violin, cello, and piano with accompanying orchestra (see below with the Philharmonia Orchestra back in 2019) shows the same musical language used in two separate groups of players – chamber and orchestral.