
The Ivors Classical Awards are never really about trophies. They’re about how an industry sees itself: noble, embattled, faintly addicted to the romance of struggle. Last night at the BFI, that story was told again — with a few new plot twists.

Programming details for next year’s Aldeburgh Festival (13th – 29th June 2025) sees a series of commissions that underline the reputations of many British composers whose names form an important part of the UK’s classical music scene.