
Wigmore Hall Song Competition winner Beth Taylor and pianist Hamish Brown’s afternoon programme had the sea running right through it, and highlighted a composer’s name to follow.

Tim Horton at Wigmore Hall: precision, warmth and wit in a programme that moves from Bach’s architecture to Chopin’s abandon.

After a day immersed in figures and forecasts, stepping into Wigmore Hall feels like surfacing for air. Here, the discipline that keeps research going is mirrored in the discipline of a pianist at a single keyboard. Both require attention, endurance, and trust in something more than numbers.

Manchester Camerata make a welcome return to London with an all-too-short but exquisite exploration of early-twentieth-century and contemporary song, showing composers revelling in the creative possibilities of rigorously applied concision.

Wigmore Hall’s £10 million fundraising success prompts a timely reflection on the role of music education in securing the future of classical music. John Gilhooly’s remarks highlight the limits of Arts Council England’s Let’s Create strategy — and where responsibility truly lies.

Cellist Anastasia Koblekina and pianist Jean-Selim Abdelmoula at Wigmore Hall with works, by Boulanger, Janáček, and Fauré.

Surprises around every corner in a dazzling supercharged performance from pianist Benjamin Grosvenor

Musicians are reassuring us audience members that they’re continuing to play as they await our return to the auditorium.