Category: Opinion
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Opinion – The numbers don’t build the audience. Trust does.
A recent wide ranging online article about classical music’s digital content ‘turn’ stops short of the detail that actually matters — how these platforms work, what metrics are really for, and why Southbank Centre’s TikTok figures don’t mean what they’re claimed to mean.
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RPS Awards 2026: Classical is a sector that knows what it wants
The Royal Philharmonic Society Awards were a stylish affair full of wit, polish and verve. Classical music as self-assured and defiant. There’s still work to be done, and a timely message for some to keep checking their spam folder.
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On Chalamet and sympathy exhausted
If ballet and opera really are in trouble like Chalamet’s ill-thought out throwaway comment might suggest, then it’s going to take more than an Instagram post to fix it.
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Humphrey Burton (1931 – 2025)
Reduce classical music’s exposure and you don’t merely rearrange a schedule — you relegate an art form. No television executive ever defends that kind of decision.
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Class Ceiling: Data, discomfort and barriers
A day-long conference staged by Revere Arts on access in classical music revealed systemic blind spots, uncomfortable truths and the barriers still shaping who gets to belong.
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Opinion – The Culture Secretary we never got (and the message that missed the mark)
Thangam Debbonaire — the former shadow culture secretary who missed out on her constituency and the chance to the UK government’s Culture Secretary — has secured, in addition to a baronetcy, a new role heading up a lobby group for the opera industry: the UK Opera Association.
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Sir Keir Starmer on Radio 3’s Private Passions: heartfelt but a little hollow
Sir Keir Starmer’s Private Passions appearance is part love-letter to music, part soft-focus politics. He’s evidently warm in his advocacy of music education, but the committment is light on detail, for all the obvious reasons.
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Southbank Centre’s risky bid to sound unstuffy
Every bid for a new audience sends a message to the old one. The art is making sure it’s not a goodbye.
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BBC Scottish Symphony’s Ilan Volkov speaks out against Israel at the BBC Proms
A cracking performance of Brahms’ fortifying Symphony No. 2 rounded off with a much-needed plea from the BBC Scottish Symphony Orchestra’s principal conductor Ilan Volkov
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Opinion – The bigger picture on BBC orchestras (and why more tv isn’t the answer)
The BBC has been forced to do more with less for years. Orchestras are a tiny fraction of its output, and classical music isn’t what the broad audience is demanding. The Proms remain protected because they deliver reach — and reach is what justifies the Licence Fee.