
Thangam Debbonaire — the former shadow culture secretary who missed out on her constituency and the chance to the UK government’s Culture Secretary — has secured, in addition to a baronetcy, a new role heading up a lobby group for the opera industry: the UK Opera Association.

Sir Keir Starmer’s Private Passions appearance is part love-letter to music, part soft-focus politics. He’s evidently warm in his advocacy of music education, but the committment is light on detail, for all the obvious reasons.

A cracking performance of Brahms’ fortifying Symphony No. 2 rounded off with a much-needed plea from the BBC Scottish Symphony Orchestra’s principal conductor Ilan Volkov

The BBC has been forced to do more with less for years. Orchestras are a tiny fraction of its output, and classical music isn’t what the broad audience is demanding. The Proms remain protected because they deliver reach — and reach is what justifies the Licence Fee.

Strategic messaging dominates Proms Week 1 but what happens to critique when the mood music is set from the top?

An article about a family spending £150,000 on music lessons plays to the gallery of outrage — but overlooks what really matters: the quiet disappearance of accessible, public music education, and the values it instils in young people.

Inside a values-driven programme that stretches across the country and highlights what the state still fails to deliver.

Billed as pioneering, the BBC’s EBU collaboration hints at strategic changes in classical music broadcasting.

A new report shows the reach of orchestral education and outreach is up, but illustrates a sector more precarious than many realise. Just in time for that Arts Council England survey.