
Admitting ignorance builds trust, but only in moderation. What the Joe Tidy pile-on says about expertise, credibility and classical music.

Future Proms? Fewer international orchestras but big chorus stuff protected (for now) apparently

Even if the BBC needs to save £500m, it won’t announce culling Radio 3 or the Proms, especially before the centenary of the Corporation’s ownership of it before next year. Will they?

A recent wide ranging online article about classical music’s digital content ‘turn’ stops short of the detail that actually matters — how these platforms work, what metrics are really for, and why Southbank Centre’s TikTok figures don’t mean what they’re claimed to mean.

The Royal Philharmonic Society Awards were a stylish affair full of wit, polish and verve. Classical music as self-assured and defiant. There’s still work to be done, and a timely message for some to keep checking their spam folder.

If ballet and opera really are in trouble like Chalamet’s ill-thought out throwaway comment might suggest, then it’s going to take more than an Instagram post to fix it.

Reduce classical music’s exposure and you don’t merely rearrange a schedule — you relegate an art form. No television executive ever defends that kind of decision.

A day-long conference staged by Revere Arts on access in classical music revealed systemic blind spots, uncomfortable truths and the barriers still shaping who gets to belong.