
From a signature Mendelssohn to JanĂĄÄek’s fevered final quartet, Opus13 play like a group with little to prove and everything still to say.

A performer drawing her advocates close in to make the case for an escape to the country.

A touching memoir from Katia de Peyer about her life with the internationally renowned clarinettist

The Carducci Quartet brought KurtĂĄg, Reich, Clarke and Debussy to the Britten Studio for a programme spanning a century of string quartet writing. Not everything landed. But the playing undoubtedly did.

The idea of hearing any Schubert piano music on a modern piano now feels like a shameful act of betrayal after Bezuidenhoutâs Aldeburgh concert.

We came for Schubert. What we got was something rarer.

Generous, disciplined, written for exactly the player performing it â Aldeburghâs world premiere doesnât cower.

Edgy enough to say something, conventional enough to hold attention. A gift for Osborne and an invigorating listen for the rest of us.