
A touching memoir from Katia de Peyer about her life with the internationally renowned clarinettist

The Carducci Quartet brought Kurtág, Reich, Clarke and Debussy to the Britten Studio for a programme spanning a century of string quartet writing. Not everything landed. But the playing undoubtedly did.

The idea of hearing any Schubert piano music on a modern piano now feels like a shameful act of betrayal after Bezuidenhout’s Aldeburgh concert.

We came for Schubert. What we got was something rarer.

Generous, disciplined, written for exactly the player performing it — Aldeburgh’s world premiere doesn’t cower.

Edgy enough to say something, conventional enough to hold attention. A gift for Osborne and an invigorating listen for the rest of us.

Spirit in the Coleridge Taylor-Perkinson, and a communal moment of meditation in the Cassie Kinoshi

Debussy’s score constructs an intense interior world and plants ideas in the mind of the listener. Rory Kinnear’s direction strips away distraction. Those ideas grow during and after performance.