
Chromatica’s new principal conductor is a likeable lead with an endearing conducting style. Permission granted to demand more.

The NDR Radiophilharmonie Hannover played Brahms 2 at Cadogan Hall like a one-take studio recording: nothing left to chance, yet nothing over-rehearsed.

A great man with a phenomenal craft for compression and the ability to summon a moment in a moment for the moment.

Cameron Biles-Liddell’s new harp concerto Nature’s Dance: an entertaining and polished affair.

Spoiler: Amanda Forsythe is amazing. Why is she not performing more in more places outside of the US? One of the many things Academy of Ancient Music does well is storytelling. They appear to have a reliable ability to craft a programme and craft a narrative that works as well on stage as well as…

The ever-reliable King’s Place have 2027 all mapped out with an enticingly eclectic mix of programmes that soothes the troubled brow of anyone struggling to find their appetite for discovery met.

A courageous and perfectly timed season opener from the LPO, meeting the need of the moment with precision craft.

Anna Handler’s debut suggests the Ulster Orchestra has a story worth telling. The challenge is getting it heard.

Santtu-Matias Rouvali and Philharmonia open the new season with cellist Sol Gabetta.

A characteristically raw, urgent sound in this recording, one that captures the same distinctive sound discernible in their live performance.