A candid take on tepid performances, polished if shallow presentations, and the BBC’s determined strategy to build a new classical music audience and put Radio 3 at the heart of it.
This is the stuff that gets bums on seats (and off them).
A fast-paced opera complete with revelations and tragic consequences, Weir’s work was a fitting choice for the first day of the 75th Aldeburgh Festival.
Rarely heard musical dramas by Beethoven meets Manga in a new multimedia space opera premiered by Insula Orchestra and Laurence Equilbey.
Concluding the Ulster Orchestra’s 2023/24 season, Daniele Rustioni summons multiple forces in Mahler’s epic and ever-popular Symphony No. 2.
A captivating collection of pieces for solo violin capturing the spirit and determination of musicians in the early days of the 2020 UK lockdown
CBSO’s experiments challenge classical music’s self-image, highlighting some of the industry’s resistance to change, amid the opportunities to connect with new audiences.
Bottom line, if you want the profile, play the game. With everyone. Otherwise, eventually, no one will talk about you. At all.
Conductor Stanislav Kochanovsky stripped everything right back creating a rich tapestry of textures and colours that revealed far more detail in the score than would normally be perceptible in larger venues.
Marsalis’s entertaining new work is exactly what classical needs right now