
Please give the listening audience the chance to reflect on what they’ve just heard and what it means to them, instead of resorting to hype, sycophancy, or post-performance reviews

A rich score, strong vocal lines and scintillating conversation at Glyndebourne at a performance of Barbe and Doucet’s production of Mozart’s Magic Flute

A review of the week. Not everyone’s week, obviously. But mine, listening to the Proms live and on catch-up

TV presenters, the need for awkwardness in art music and the power of reportage

Tuesday’s performance by the Bavarian Radio Symphony Orchestra highlights a newly adopted habit: a new way of listening.

The TV version of one long stream of classical music marketing tweets. A missed opportunity. Disappointing.

Documenting my experience of the BBC Proms 2019 in my own sweet time.

Joshua Bell’s performance of Dvorak’s Violin Concerto, the warm sound of the Bamberg Symphony Orchestra, and the BBC Proms’ next big test.

I’m part of the problem. I hope to God I don’t think that by the end of the Proms this year.