I’m part of the problem. I hope to God I don’t think that by the end of the Proms this year.
Classical music gets a bashing once again.
In the mad dash to make classical music more ‘appealing’ to more people, the representation of youth is a priority for record labels. But is that a good thing?
It’s still a little weird grabbing print from a BBC event. I look at it and think about how I should be feeling – how I remember feeling. Then there’s a jolt and I’m reminded how I feel seeing it now – an odd mixture anger and disdain. To explain the difference would be massively…
My worst fears are confirmed: I’m not the archetypal Proms audience member. At least, not anymore.
Documenting my response to the ‘world’s greatest classical music festival’ in a bid to understand whether its changed or I have.
LSO’s performance of Gruppen at the Turbine Hall demonstrates a rare thing in the classical music world we need more of: buzz
The ongoing battle with meaningless words and phrases favoured by office workers.
A review of 2009 BBC Proms Number 51 featuring Joshua Bell’s performance of Brahms’ Violin Concerto.
You’d think talking to camera in the confines of your own home would be a straightforward affair, wouldn’t you? For the full video about former Proms presenter, conductor and composer Charles Hazlewood, visit the Thoroughly Good YouTube Channel.