
Richard Blackford’s The Black Lake left a profound mark with evocative choral writing, while Bob Chilcott’s Mass for Peace and Reconciliation delivered polish and poignancy. Olivier Latry’s organ recital closed with a roof-raising improvisation.

Brand tie-ins at the Proms can be clumsy, but The Traitors Prom proved how a crossover event can work. Packed with modest musical nods, inclusive audience engagement, and Claudia Winkleman’s dry delivery, this tightly scripted live event still managed to land on radio and, unexpectedly, win over a sceptic.

Randall Goosby’s poised, expressive playing with the Orchestre National de France’s refined, responsive sound made this varied programme unexpectedly rewarding.

A Scottish Chamber Orchestra Prom of Rameau, Saint-Saëns and Beethoven revealed an emerging broadcast-led strategy in this year’s season: programming designed to be safe rather than startling. But Maxim Emelyanychev’s gritty, defiant Beethoven 5 proved a reminder of why this work is not just enjoyed, but needed.

Your guide to people on screen and on-air at the BBC Proms 2025

Berlioz’s Symphonie fantastique as the original fever dream: a wild, orchestrated spiral into obsession, intoxication, and gothic fantasy. Before that, an opportunity to bear witness in the world premiere of Mark Simpson’s ZEBRA written for Sean Shibe.

Inside a values-driven programme that stretches across the country and highlights what the state still fails to deliver.

Poise, elegance, and youthful charm: tenor Santiago Sanchez and pianist Victoria Guerrero shine in their Cheltenham Music Festival debut — Sanchez with tender clarity, Guerrero with delicious precision.

Warmth, wit, and astonishing control from a guitarist who makes silence sing.

Georgian pianist Giorgi Gigashvili, who ends his time on the BBC’s New Generation Artists scheme this year, is an exciting performer with flair whose musicianship shines brightest in moments of intimacy and reflection.