A performance of two halves: early moralistic Smyth followed by Respighi’s theatrical setting of a brutal tragedy….

Independent writing on classical music and culture
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A performance of two halves: early moralistic Smyth followed by Respighi’s theatrical setting of a brutal tragedy….
Britten Weekend 2025 traced music refusal to be destroyed. What emerged wasn’t nostalgia or indulgence but a promise to remember….
In a culture hooked on doom narratives about classical music’s decline, French reminds us that attention itself is the radical…
Thoughts exchanged. Conversations that explore what music means — to those who make it, and those who listen.
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