The language we use to describe music has the potential to convince, persuade or reassure the newcomer, the sceptic, the wary, or the dubious-minded.
Horn player Ben Goldscheider has a remarkable CV for someone who came to prominence back in 2016 following his BBC Young Musician Concerto Final in 2016. Solo appearances followed with the BBC Concert, BBC Symphony, Aurora, English Chamber, and and Manchester Camerata. He’s been guest principal for West Eastern Divan, English Chamber and Philharmonia. Last…
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Ottensamer’s youthful presence and long frame has a whiff of Hector Berlioz about it. A demonstrative artist making his debut in challenging circumstances.
A blissful treat that makes the idea of attending an actual concert in real life a massive ball ache.
At best I might consider myself spiritual. But, this Easter weekend, listening to the music of Bach, I’m beginning to question. Sort of.
It’s taken a pandemic to empower a subsection of the classical music world to create the content they’ve long wanted to see on their screen.
Musicians, play what you want. Play out of tune if you like. I don’t care This is joyous news.
When audiences are able to step back into an auditorium, orchestras had better continue to film their concerts. I’ve got accustomed to digital streams.
I have a habit with social media of scrolling and bookmarking. Its instinctive. There is no bookmarking strategy as such. I only really noticed I did it around February 2020. As it’s the end of the year I figured I’d take a look at the tweets I’ve bookmarked. This selection isn’t trying to be representative…