
A selective tour of Europe’s radio orchestras — persuasive in parts, over-engineered in others

Hiddleston does much of the heavy lifting, maintaining a lean almost studious presence on screen. The story moves slowly, but that restraint allows jeopardy to linger. By the end of episode two the series finally feels as though it’s stretching its legs and maybe even breaking into a gentle trot.

Announced this morning on Instagram, Tess Daly and Claudia Winkleman will bow out of Strictly Come Dancing at the end of the current series.

A sharply observed well-timed skewering of the fetishisation of mental health terrestrial broadcasters have indulged in.

Billed as pioneering, the BBC’s EBU collaboration hints at strategic changes in classical music broadcasting.

The BBC marks the 80th anniversary of the liberation of the Nazi concentration camps with a story of survival, music, and defiance.

Even if the season-wide programme doesn’t tickle my taste buds in the way it used to ten or fifteen years ago, there are distinct improvements in the TV coverage already discernible from the First Night.

Selling classical music to new audiences isn’t as difficult as you might be led to believe. Just be passionate. Sincere. Genuine. Be an advocate.

News arrives at Thoroughly Good of the appointment of Suzy Klein as Head of Arts and Classical Music TV at the BBC. BBC Radio 3, TV and Proms presenter Klein takes on her new role in October 2021. Thoroughly Good can’t think of anyone better to take on the role. Suzy’s path has taken in…